L’amoureuse

Elle est debout sur mes paupières
Et ses cheveux sont dans les miens,
Elle a la forme de mes mains,
Elle a la couleur de mes yeux,
Elle s’engloutit dans mon ombre
Comme une pierre sur le ciel.
Elle a toujours les yeux ouverts
Et ne me laisse pas dormir.
Ses rêves en pleine lumière
Font s’évaporer les soleils,
Me font rire, pleurer et rire,
Parler sans avoir rien à dire

Paul Eluard


There is a sacred, secret line in loving
which attraction and even passion cannot cross, —
even if lips draw near in awful silence
and love tears at the heart

Friendship is weak and useless here,
and years of happiness, exalted and full of fire,
because the soul is free and does not know
the slow luxuries of sensual life.

Those who try to come near it are insane
and those who reach it are shaken by grief.
So now you know exactly why
my heart beats no faster under your hand.

Anna Akhmatova


Might As Well Add This to the List:

No. 1: Betwixt by Elaine Webster
No. 2: Lonely City by Jim Murdoch
No. 3: Mellis, Victoria Street by Vivien Jones
No. 4: To Edinburgh by Russell Jones
No. 5: Crags by Dave Coates
No. 6: Stopping by Stefanie Tan
No. 7: MacAdam’s Inventory O A Tourist Trap by Andrew Philip
No. 8: And Nothing Worth Remembering by Florian Raith
No. 9: The Piteous Pine by Florian Raith
No. 10: The Forgotten Orchard of Craiglockhart by Jonathan Memel
No. 11: The Guid Room by Angela Blacklock-Brown
No. 12: Tollcross by Dilys Rose
No. 13: Tarvit Street, 2am by Dilys Rose
No. 14: Edinburgh Summer by Norman Bissett
No. 15: The Fringe by Miha Pintaric
No. 16: Going Home by Aiko Harman
No. 17: Between Lauriston Gardens and Lauriston Park by Aiko Harman
No. 18: Union Canal by Vicki Allardice
No. 19: Cafe Life Slice by Jean Atkin
No. 20: At Greyfriars Bobby’s Pub by Ken Pobo
No. 21: It by Brian McCabe
No. 22: Buddha by Brian McCabe
No. 23: Great Junkie Street Aye by JL Williams
No. 24: Edinburgh Haiku by Alan Gay
No. 25: First Aid in the Botanic Gardens by Alan Gay
No. 26: Niddrie by Claire Askew
No. 27: The Number 31 bus taken from Lasswade by Nicholas Goodrick
No. 28: Animal Haven by Juliet M Wilson
No. 29: The Business of Ravens by Roxanne Paris
No. 30: The Septuagenarian and the Quartermile by Roxanne Paris
No. 31: Corstorphine, Midnight by Rob A Mackenzie
No. 32: Lady Edinburgh by Tatjana Pfennig
No. 33: Rebels of this timeless town by Niki Ανδρικοπούλου
No. 34: View over Nicolson Street by Benjamin Dahlbeck
No. 35: Portobello by Morgan Downie
No. 36: Scene by Morgan Downie
No. 37: Anonymous by Dan Mussett
No. 38: From Saturday to Monday by Jason Monios
No. 39: Happy Birthday Hole by Jason Monios
No. 40: Morningside by Andrew C Fergusson
No. 41: Newington, EH9 by Andrew C Fergusson
No. 42: Gallows-birds and Graveyards by Hayley Shields
No. 43: January by Hayley Shields
No. 44: Southside II & III by Lauren Pope
No. 45: Perfume by Magnus Huntly-Grant
No. 46: His Side O The Story (Forthview Primary) by Simon Jackson
No. 47: Landlocked in the Port of Leith by Simon Jackson
No. 48: Postcode by Becca Hotchen
No. 49: An Edinburgh Invitation by Sue Armstrong
No. 50: Festive, All by Greg Whelan
No. 51: After the last tattoo by Christie Williamson
No. 52: Calton Hill by Antonia Leslie
No. 53: Ardmillan Lullaby by Mary Grundy
No. 54: 33 by Jonny Stockford
No. 55: Newington Road by Jonny Stockford
No. 56: Currie by Dorothy Baird
No. 57: Broken by Robyn Archer
No. 58: Transformation by Christine de Luca
No. 59: Edinburgh Volte-Face by Christine de Luca
No. 60: Telepathy by Tom Bristow
No. 61: Ministry of Memory by Tom Bristow
No. 62: Dùn Éideanns by Martin Mac an t-Saoir
No. 63: Imlach by Andrew Greig
No. 64: Scotland by Andrew Greig
No. 65: The Hanging Stanes by Sam Meekings
No. 66: To The Man Sleeping on Nicolson Square by Ellie Blow
No. 67: Conspiracy of Buses by Jane McKie
No. 68: La Plage by Jane McKie
No. 69: Broughton Street by Jess Winch
No. 70: The Castle by Mairi Sharratt
No. 71: Lunchtime in Leith by Martin Raymond
No. 72: How does a bookies have a sale anyway? by Chris Lindores
No. 73: The Pubic Triangle by Chris Lindores
No. 74: Walls by Fiona Morrison
No. 75: Where it lies by Struan Robertson
No. 76: The River At Cramond by Aileen Ballantyne
No. 77: John Knox’s Grave by Aileen Ballantyne
No. 78: Cables by Kate Charles
No. 79: Mary King’s Close by Aileen Lobban
No. 80: Edin Unfurling by Gemma White
No. 81: The Windy City by Kat Maher
No. 82: Tradesmen Visit by Finlay Gall
No. 83: Waking up with Edinburgh by Helle Häng
No. 84: Jawbone Walk by Julia Sanchez
No. 85: Circus Lane by Ivan Landers
No. 86: Sweet Sandy by McGuire
No. 87: Scarlet by Roddy Lumsden
No. 88: On an Old Scots Dictionary by Robby Lumsden
No. 89: The Summer of EH26 by Anita John
No. 90: After the Festival by Anita John
No. 91: A Recipe for Whisky by Ron Butlin
No. 92: A Lifetime by Ron Butlin
No. 93: A Winter Walk Along Lauriston Place by Lara Barbier
No. 94: Aig Dachaidh/At Home by Aonghas Macneacail
No. 95: Dead Plastic Crow by Aonghas Macneacail
No. 96: Princes Street by Alan Gillis
No. 97: Class by Irene Brown
No. 98: Same place, different view by Anna Dickie
No. 99: Overflow by Priscilla Chueng-Nainby
No. 100: Detained by Struan Robertson

http://thiscollection.wordpress.com/2009/03/04/top-100-poets-the-full-list/



There’s another skin inside my skin
that gathers to your touch, a lake to the light;
that looses its memory, its lost language
into your tongue,
erasing me into newness.

Just when the body thinks it knows
the ways of knowing itself,
this second skin continues to answer.

In the street - café chairs abandoned
on terraces; market stalls emptied
of their solid light,
though pavement still breathes
summer grapes and peaches.
Like the light of anything that grows
from this newly-turned earth,
every tip of me gathers under your touch,
wind wrapping my dress around our legs,
your shirt twisting to flowers in my fists.

Anne Michaels


Death be not proud, though some have called thee
Mighty and dreadfull, for, thou art not so,
For, those, whom thou think’st, thou dost overthrow,
Die not, poor death, nor yet canst thou kill me.
From rest and sleep, which but thy pictures be,
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and souls delivery.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poison, war, and sicknesse dwell,
And poppy, or charms can make us sleep as well,
And better then thy stroke; why swell’st thou then?
One short sleep past, we wake eternally,
And death shall be no more; death, thou shalt die.
John Donne